Knowledgebase
Pre-Fade Listen (PFL)
PFL usually stands for “Pre-Fader Listen”. PFL is a combined channel and monitoring function. On an analogue mixer with PFL, each channel has a switch which can connect the channel signal path, at a point just before the fader, to the pre-fade bus. This bus is picked up in the monitor module and made available as an…
Read More about Pre-Fade Listen (PFL)Foldback
Foldback is a feed of audio to the studio, via either loudspeaker, headphone or earpiece (IEM). It may be to provide the presenter and/or performers with a Cue feed from an external source or from a singer’s Microphone, to reinforce a singer’s voice for confidence or as an aid to tuning, or to provide actors…
Read More about FoldbackCreative Commons Licence
A Creative Commons Licence allows authors, artists, and educators to mark their creative work with the freedoms they want it to carry, changing the default of “All Rights Reserved” into “Some Rights Reserved”, as the creator chooses. There are three areas that the licence covers; attribution, commercial use and derivatives. These can be combined in…
Read More about Creative Commons LicenceRMS
An acronym for Root Mean Square, a mathematical means of calculating the average level of a varying audio signal for the purposes of metering or estimating the power of, for example, loudspeaker amplifiers.
Read More about RMSBLITS (Black & Lane’s Ident Tones for Surround)
Black and Lane’s Ident Tones for Surround (BLITS) developed by Sky Television Sound Supervisors Martin Black and Keith Lane in 2005/6 to provide a standardised form of channel identification and alignment for surround sound material. BLITS is a broadcast-specific line up tone system for use with 5.1 surround sound formats, and is currently being considered…
Read More about BLITS (Black & Lane’s Ident Tones for Surround)Metadata
Metadata is literally data about data. In its simplest form it could be a note attached to an item of recording medium (e.g. a tape or disc) telling the user what is on the medium, how long it is and where and when it was recorded. More practically it will be digital information embedded in…
Read More about MetadataCue
A “Cue” may be visual or aural. In television it is usual for somebody in the studio to be given a visual cue to begin by a wave from the Floor Manager, and also sometimes to conclude by “winding up” gestures (which become more frantic as time runs out!). In radio a cue light is…
Read More about CueCollection and Delivery
For large items where ordinary postal services may be too expensive, members have had success using the following providers. Most are reselling the services of other major courier/delivery firms and collect from your premises. Parcel 2 Go Appear to offer a choice of carrier at various price points depending mainly on how quickly you want…
Read More about Collection and DeliveryBackground Noise
Background Noise are sounds that are not the main sound you want to record. Sounds from traffic outside, air conditioning, lighting and so on. Ideally sources of background noise are stopped, switched off or removed but what do you do if you had no choice but record the noise? Record an atmos/room tone Wild Track…
Read More about Background NoiseElectromagnetic Spectrum
The Electromagnetic Spectrum is the range of all possible frequencies of electromagnetic radiation. See the excellent diagram reproduced by kind permission of Louis Keiner http://www.keiner.us/. The sections of particular interest to IPS members are usually referred to as the Radio Spectrum (although they are mostly used for television!), and are: Low Frequency (LF) covers frequencies…
Read More about Electromagnetic SpectrumTalkback
Talkback originated in radio studios, where staff in the control cubicle who could hear the presenters and performers on their monitor loudspeaker were able to communicate with them using a dedicated microphone/loudspeaker system, “talking back” to the studio. This system was extended by the introduction of “reverse talkback” which provided the presenter with an additional…
Read More about TalkbackVolts
Volts (symbol V – not v) measure the electrical pressure, or potential difference available to force current through a circuit. The name derives from the Italian physicist Alessandro Volta (1745–1827), who invented the voltaic pile, the first chemical battery. Voltages can have a fixed polarity (Direct Current volts), or can change more or less cyclically…
Read More about VoltsWorking in the Cold
The following hints and tips have been collated from emails on IBSNET. from Florian Camerer (ORF) I used the PD-2, which is – in my opinion – more reliably built (metal housing etc.) and consumes more power, yes, more power, and that means more heat in the machine!! I conducted tests in Vienna in a…
Read More about Working in the ColdTimecode
Timecode in audio operations refers to the SMPTE/EBU time and control code which is used for synchronising audio with video and for locating sections of programmes. Linear Time Code (LTC) is most commonly used, although Vertical Interval Timecode (VITC) may be encountered in television operations. Both versions use an 80-bit binary code to identify video…
Read More about TimecodeSabin
A Sabin is the amount of absorption equivalent to one square metre of open window (which would allow the sound to escape from the room with no reflections). Named after American acoustician Wallace Clement Sabine (June 13, 1868 – January 10, 1919). See also Sound Absorption Coefficients for Some Common Materials.
Read More about SabinInduction Loop
An Induction Loop or Audio Frequency Induction Loop System (AFILS) is a system commonly used by hearing aid users to clearly hear the sound in a theatre, through the bandit-proof glass screens in a bank or just a telephone call. It can also be used to provide wireless talkback or IEM to crew or presenters…
Read More about Induction LoopLate Payment
Running a business, owed money from another business? Then you have a statutory right to interest and compensation under the Late Payment of Commercial Debts (Interest) Act 1998 (as amended). There is no obligation to charge interest or claim compensation on a late payment, you just have a legal right to do so. Be aware…
Read More about Late PaymentNoisy floors
Noisy Floors can be the bane of a Sound Recordists life. There are two main problems; noise from things like heels hitting a hard and hollow floor and noise from the floor itself as objects move over the surface. Heels and Legs High heels and chair legs can easily produce enough noise to drown out…
Read More about Noisy floorsBalanced line
Balanced lines are typically – and quite incorrectly – explained as follows. A signal is split into two equal but antiphase parts in a balanced line driver. These signals are connected to each leg of a pair cable and eventually arrive at a balanced receiver. This device inverts one leg of the signal. In doing…
Read More about Balanced lineAlternating current (AC)
Alternating Current or AC refers to a flow of electrons that reverses in direction in a cyclical manner
Read More about Alternating current (AC)Underwater sound
A member asked on IBSNET for advice on hydrophones. Chris Woolf responded:- Hydrophones vary quite a bit in quality from high grade phantom powered devices to some pretty poor plug-in power versions. The are invariably omnis and since the propagation of sound in water is very different to air you can expect a lot of LF…
Read More about Underwater soundDecibel (dB)
The human ear does not react to changes in sound in a simple, linear way. To double the loudness of a sound, say by turning up the volume control on an audio amplifier, most people find that they need to increase the power produced by the loudspeaker by about ten times. If we were to…
Read More about Decibel (dB)Audio software
This is a selection of computer software for audio applications which is either free or inexpensive. It has been compiled from various sources, and inclusion in this listing does not in any way imply any endorsement by the IPS, or any warranty that it will be satisfactory. User (and buyer) beware! Contents 1 PC Software…
Read More about Audio softwarePolar Pattern
The Polar Pattern of a Microphone describes its directional sensitivity. The main family of patterns is a continuous spectrum between omni and bi-directional (figure-of-eight). Thus their titles are somewhat arbitrary, often overlap and, perversely, in most cases they are best defined by their ability to reject sound. Polar Patterns are generalised – they give an…
Read More about Polar PatternMicrophone Principles
Microphones work by sensing minute changes in air pressure. Pressure A pressure operated microphone is essentially a sensitive barometer and reacts only to changes in pressure irrespective of the direction of the sound source. It comprises a sealed box with air inside and a thin diaphragm that deflects for small pressure changes. Some form of…
Read More about Microphone PrinciplesAfter Fader Listen (AFL)
AFL may be After-Fader Listen or After-Fader Level, depending on whether the user is more concerned with the quality and/or content of the signal or with its level. It is similar in operation to Pre-Fader Listen (PFL) except that the signal is derived after the channel fader instead of before. As AFL is also derived…
Read More about After Fader Listen (AFL)Lockit
Lockit is a device manufactured by Ambient Recording which enables video cameras to be synchronised with audio recorders.
Read More about LockitSuper Audio CD (SACD)
Super Audio CD (SACD) launched by Sony in 1999 and intended to supersede the original Sony/Philips CD.
Read More about Super Audio CD (SACD)Automated Dialog Replacement (ADR)
Automated Dialog Replacement (ADR) was used by the Magnatech Corp as a marketing phrase (mid 1960s). Magnatech made the system which comprised the projector, the recorder and the control box. It enabled record drop-ins and -outs across 3 tracks (3 attempts) to be programmed to the footage counter, and the whole reel of 10 minutes…
Read More about Automated Dialog Replacement (ADR)Broadcast Wave Format (wav)
Broadcast Wave Format was developed by an EBU Project Group (see The Broadcast Wave Format – an Introduction) to provide a product-independent means of exchanging programme material between workstations from different manufacturers. It is based on the Microsoft WAVE audio file format (file extension .wav), which is one of a number of file types specified…
Read More about Broadcast Wave Format (wav)Electret wiring
Electret personal microphones are all unbalanced. They all need a screen, both for the cable and for the grille and casing around the capsule. This usually gets connected to 0V. The electronics inside the capsule will have two external connections. One connection always needs to be kept more +ve than the other but it makes…
Read More about Electret wiringTesa tape
Tesa Tape is a generic term applied to self adhesive foam rubber tapes or sheets a few mm thick. TESA is an American adhesive tape maker, with a UK subsidiary. Tesa Tape is commonly used stuck to the heels and soles of shoes to deaden the noise of footfalls on hard or hollow floors. It…
Read More about Tesa tapeWord Clock
Taken from Annex B of AES11. “AES recommended practice for digital audio engineering – Synchronization of digital audio equipment in studio operations” Annex B (Informative) Word Clock It is possible to meet all the timing requirements of AES11 by means of a square wave at sampling frequency basic rate, commonly called word clock. It is…
Read More about Word ClockTonader Power (T power)
Tonader Power, T Power, T12 or AB Power all refer to a method of powering microphones via their cable. This system uses 180 ohm feed resistors and a 12V supply but does not send the DC power as a common mode signal like Phantom Power. The powering is unbalanced and shares the same path as…
Read More about Tonader Power (T power)Diary Services and Agents
First of all to quash a big misnomer. A Diary Service is not there in order to ‘get you work’. That is what an Agent does. Now – to more detailed thoughts. When looking at Diary Services it might be wise to take a brief look at how they emerged and why. In the late…
Read More about Diary Services and AgentsCritical Distance
Critical Distance or Dc is the distance from a sound source where the level of direct sound equals that of any reverberant sound. Dc applies to all sound gathering but measuring it is normally only required when advance planning of microphone positions is needed. Critical Distance does not dictate where a microphone must be placed…
Read More about Critical DistanceDigital interfaces
This page lists the most common digital interface standards used to connect between digital mixers, recorders, editing systems and microphones etc. Contents ADAT AES/EBU SPDIF SDIF TDIF-1 Mitsubishi ProDigi MADI Yamaha ADAT ADAT is an acronym for Alesis Digital Audio Tape, a format for recording 8 tracks of digital audio onto Super VHS magnetic tape.…
Read More about Digital interfacesDirect Current (DC)
Direct Current or DC refers to the unidirectional flow of electrons from high to low potential, as opposed to Alternating Current or AC where the flow regularly reverses in direction at a specific frequency. By convention this flow is considered to be from positive to relatively negative points; note that this direction is not the…
Read More about Direct Current (DC)Impedance
Electrical impedance is effectively resistance in an AC circuit (see Ohms). Impedances are significantly more complicated than simple resistance because they are frequency conscious and because they can apply to the behaviour of an entire circuit rather than a single element. There are load impedances, having the effect of a virtual resistor across the input…
Read More about ImpedancePressure Zone Microphone (PZM)
Pressure Zone Microphone is a registered trade mark of Crown International, and describes a method of mounting a microphone close to a flat surface to minimise room acoustics. Other variants are described as Boundary Microphones. See http://www.uneeda-audio.com/pzm/
Read More about Pressure Zone Microphone (PZM)Audio levels
Analogue audio signal levels have historically been categorised for professional usage in two groups – microphone level (low) and line level (high). Domestic equipment generally falls into a third category, just below professional line level. Signal levels are measured using units based on the Decibel. There are many different types of Level Meter used for…
Read More about Audio levelsDirect Stream Digital (DSD)
Direct Stream Digital (DSD) uses a sampling rate of 2.8224 MHz to directly record a 1-bit signal. Used for recording SACD, launched by Sony in 1999.
Read More about Direct Stream Digital (DSD)Watts
Watts are a measure of power. The symbol is W (never w). Electrically Watts = Amps x Volts. The name derives from Scottish engineer and inventor James Watt (1736 – 1819) in honour of his work that transformed the primitive steam engine into a practical power unit. Watts are obviously useful for indicating the power…
Read More about WattsMix Minus
Mix Minus describes the arrangements used when a broadcast studio is connected to an external site such as an Outside Broadcast as a contribution or another studio which is simultaneously broadcasting the same programme in another region, two way working. In both cases the remote source needs a feed of the programme but not of…
Read More about Mix MinusOff Tube
“Off Tube” is when commentary for an event is provided by the commentary team just watching the televised pictures. While commentators almost always have a picture monitor (or “tube”) regardless of their location, there is great advantage to be had from also being in a position to see the proceedings with their own eyes, and…
Read More about Off TubeOhms
Ohms are a measure of the resistance to a flow of current. The name derives from the German physicist Georg Simon Ohm (1759-1854). The symbol for the ohm is the Greek capital letter omega. If the Greek letter cannot be used, the word ohm is used instead. In a simple circuit the relationship between the…
Read More about OhmsEdit Decision List (EDL)
An Edit Decision List (EDL) is simply an ordered list of items of recorded video and audio with Timecode references which enables a video editor to assemble a version of the final programme.
Read More about Edit Decision List (EDL)Optimising Windows or Mac computers for audio
Problems are usually bus and/or buffer overload. As Macs and PCs now share the same Intel chipsets, hopefully the “rules” that you have to apply to optimise a PC for audio will be similar. Basically the machine needs to be focussed entirely on handling audio and minimising system interrupts on its data buses. While the…
Read More about Optimising Windows or Mac computers for audioiXML
The iXML specification is designed to provide an unambiguous communication of file and project based metadata between various stages of workflow in production, telecine, picture editorial and audio post production. iXML is primarily designed to be used as a RIFF (embedded tagged data) chunk inside a Broadcast Wave file (although it can be optionally included…
Read More about iXMLStick pads
Stick Pads are the soft rubber things that you fit onto the end of a walking stick to protect the end of the stick and reduce the noise of the stick hitting the ground. Sound Recordists use them on high heels or chair legs to reduce the sounds of walking or chair movements on hard…
Read More about Stick padsTitles A-Z
- After Fader Listen (AFL)
- Aircraft Intercom
- Aircraft PTC
- Alternating current (AC)
- Amps
- Audio levels
- Audio software
- Automated Dialog Replacement (ADR)
- Background Noise
- Balanced line
- BLITS (Black & Lane’s Ident Tones for Surround)
- Boom
- Bright Eyes (Phantom checker)
- Broadcast Wave Format (wav)
- Carnet
- Collection and Delivery
- Connectors
- Creative Commons Licence
- Critical Distance
- Cross Point
- Cue
- Decibel (dB)
- Diary Services and Agents
- Digital interfaces
- Direct Current (DC)
- Direct Stream Digital (DSD)
- Earthing
- EBU
- Edit Decision List (EDL)
- Electret wiring
- Electromagnetic Spectrum
- Foldback
- Impedance
- Induction Loop
- Interference Tube
- Intermodulation
- iXML
- Jackfield
- Late Payment
- Lockit
- Metadata
- Microphone Principles
- Mix Minus
- Noisy floors
- Off Tube
- Ohms
- Optimising Windows or Mac computers for audio
- Pan Pot
- Phantom Power
- Polar Pattern
- Pre-Fade Listen (PFL)
- Pressure Zone Microphone (PZM)
- RMS
- Sabin
- Sound Levels
- Stereo
- Stick pads
- Super Audio CD (SACD)
- Talkback
- Tesa tape
- Timecode
- Tonader Power (T power)
- Underwater sound
- Volts
- Watts
- Wild Track
- Word Clock
- Working in the Cold
