Knowledgebase
Ohms
Ohms are a measure of the resistance to a flow of current. The name derives from the German physicist Georg Simon Ohm (1759-1854). The symbol for the ohm is the Greek capital letter omega. If the Greek letter cannot be used, the word ohm is used instead. In a simple circuit the relationship between the…
Read MoreAmps
Amps (Amperes) measure the flow of current that a potential difference forces through a circuit. The symbol is always A. The name derives from the French physicist André-Marie Ampère (1775-1836). As with Volts, current can be unidirectional – Direct Current (DC) – or alternating in direction (AC), and the values used can be peak or…
Read MoreOptimising Windows or Mac computers for audio
Problems are usually bus and/or buffer overload. As Macs and PCs now share the same Intel chipsets, hopefully the “rules” that you have to apply to optimise a PC for audio will be similar. Basically the machine needs to be focussed entirely on handling audio and minimising system interrupts on its data buses. While the…
Read MoreLate Payment
Running a business, owed money from another business? Then you have a statutory right to interest and compensation under the Late Payment of Commercial Debts (Interest) Act 1998 (as amended). There is no obligation to charge interest or claim compensation on a late payment, you just have a legal right to do so. Be aware…
Read MoreSound Levels
Sound Pressure Levels Our ears respond to fluctuations in the steady atmospheric pressure, so when measuring sound, that is what we usually measure. Sound pressure levels (or Sound Levels for short) are specified in Decibels, relative to a reference pressure of 20 micropascals. This reference pressure of 20 micropascals is nominally equal to the threshold…
Read MorePre-Fade Listen (PFL)
PFL usually stands for “Pre-Fader Listen”. PFL is a combined channel and monitoring function. On an analogue mixer with PFL, each channel has a switch which can connect the channel signal path, at a point just before the fader, to the pre-fade bus. This bus is picked up in the monitor module and made available as an…
Read MoreAudio software
This is a selection of computer software for audio applications which is either free or inexpensive. It has been compiled from various sources, and inclusion in this listing does not in any way imply any endorsement by the IPS, or any warranty that it will be satisfactory. User (and buyer) beware! Contents 1 PC Software…
Read MoreSabin
A Sabin is the amount of absorption equivalent to one square metre of open window (which would allow the sound to escape from the room with no reflections). Named after American acoustician Wallace Clement Sabine (June 13, 1868 – January 10, 1919). See also Sound Absorption Coefficients for Some Common Materials.
Read MoreMix Minus
Mix Minus describes the arrangements used when a broadcast studio is connected to an external site such as an Outside Broadcast as a contribution or another studio which is simultaneously broadcasting the same programme in another region, two way working. In both cases the remote source needs a feed of the programme but not of…
Read MoreBoom
Boom is defined in the Concise Oxford English Dictionary as “a movable arm carrying a microphone or film camera” and in Collins Concise as “a pole carrying an overhead microphone and projected over a film or television set“. In sound studios a boom is either an arm fixed to a floor-mounted microphone stand or a…
Read MoreElectret wiring
Electret personal microphones are all unbalanced. They all need a screen, both for the cable and for the grille and casing around the capsule. This usually gets connected to 0V. The electronics inside the capsule will have two external connections. One connection always needs to be kept more +ve than the other but it makes…
Read MoreWorking in the Cold
The following hints and tips have been collated from emails on IBSNET. from Florian Camerer (ORF) I used the PD-2, which is – in my opinion – more reliably built (metal housing etc.) and consumes more power, yes, more power, and that means more heat in the machine!! I conducted tests in Vienna in a…
Read MoreIntermodulation
Q: What is intermodulation? What causes intermods? A: Intermodulation generally only comes up in conversation when discussing interference. To understand about intermodulation products, or intermods, you need to know a little bit about transmitter and receiver design. Transmitters and receivers are designed to work at a particular frequency. High frequencies, such as those used in…
Read MoreCritical Distance
Critical Distance or Dc is the distance from a sound source where the level of direct sound equals that of any reverberant sound. Dc applies to all sound gathering but measuring it is normally only required when advance planning of microphone positions is needed. Critical Distance does not dictate where a microphone must be placed…
Read MoreCarnet
An ATA Carnet is a multi-part document which is used to confirm an inventory of items which are taken out of the EU and returned within a pre-determined time. This is to prove that they have not been exported, or indeed imported when you return. Failure to complete all sections properly at any point when…
Read MoreBalanced line
Balanced lines are typically – and quite incorrectly – explained as follows. A signal is split into two equal but antiphase parts in a balanced line driver. These signals are connected to each leg of a pair cable and eventually arrive at a balanced receiver. This device inverts one leg of the signal. In doing…
Read MoreTimecode
Timecode in audio operations refers to the SMPTE/EBU time and control code which is used for synchronising audio with video and for locating sections of programmes. Linear Time Code (LTC) is most commonly used, although Vertical Interval Timecode (VITC) may be encountered in television operations. Both versions use an 80-bit binary code to identify video…
Read MoreBright Eyes (Phantom checker)
This “Bright Eyes” device was described by Hugh Robjohns in this Line Up article (June/July 2006) and uses a circuit designed by Chris Woolf. A Bright Eyes can be a very useful tool to have during rigging or fault finding to check if an XLR cable has active microphone powering. It is simple to construct…
Read MoreInduction Loop
An Induction Loop or Audio Frequency Induction Loop System (AFILS) is a system commonly used by hearing aid users to clearly hear the sound in a theatre, through the bandit-proof glass screens in a bank or just a telephone call. It can also be used to provide wireless talkback or IEM to crew or presenters…
Read MoreConnectors
Contents 1 Sex 2 XLR 2.1 3 pin 2.2 4 pin 2.3 5 pin 2.4 6 pin 2.5 7 pin 3 Jack 3.1 ‘A’ gauge 3.2 ‘B’ gauge 3.3 MIL-plug 3.4 Bantam 3.5 3.5mm 3.6 2.5mm 4 Hirose 4.1 4 pin 4.2 10 pin 5 Tajimi 5.1 12 pin 6 DIN 6.1 2 pin 6.2…
Read MoreAudio levels
Analogue audio signal levels have historically been categorised for professional usage in two groups – microphone level (low) and line level (high). Domestic equipment generally falls into a third category, just below professional line level. Signal levels are measured using units based on the Decibel. There are many different types of Level Meter used for…
Read MoreWild Track
A Wild Track is an audio recording made on location with no reference to picture, intended to provide post production with useful background sound during editing. Recording wild tracks on documentary shoots it’s advisable not to switch the camera to bars, but to have the microphone in shot. With a fast turnaround in the edit,…
Read MoreWatts
Watts are a measure of power. The symbol is W (never w). Electrically Watts = Amps x Volts. The name derives from Scottish engineer and inventor James Watt (1736 – 1819) in honour of his work that transformed the primitive steam engine into a practical power unit. Watts are obviously useful for indicating the power…
Read MoreTalkback
Talkback originated in radio studios, where staff in the control cubicle who could hear the presenters and performers on their monitor loudspeaker were able to communicate with them using a dedicated microphone/loudspeaker system, “talking back” to the studio. This system was extended by the introduction of “reverse talkback” which provided the presenter with an additional…
Read MoreEBU
The European Broadcasting Union or EBU was formed on 12 February 1950 by 23 broadcasting organisations from Europe and the Mediterranean. Members are radio and television companies, most of which are government-owned public service broadcasters or privately owned stations with public missions. In 2007 the EBU has 74 active members from 55 countries, and 43…
Read MoreBroadcast Wave Format (wav)
Broadcast Wave Format was developed by an EBU Project Group (see The Broadcast Wave Format – an Introduction) to provide a product-independent means of exchanging programme material between workstations from different manufacturers. It is based on the Microsoft WAVE audio file format (file extension .wav), which is one of a number of file types specified…
Read MoreiXML
The iXML specification is designed to provide an unambiguous communication of file and project based metadata between various stages of workflow in production, telecine, picture editorial and audio post production. iXML is primarily designed to be used as a RIFF (embedded tagged data) chunk inside a Broadcast Wave file (although it can be optionally included…
Read MoreElectromagnetic Spectrum
The Electromagnetic Spectrum is the range of all possible frequencies of electromagnetic radiation. See the excellent diagram reproduced by kind permission of Louis Keiner http://www.keiner.us/. The sections of particular interest to IPS members are usually referred to as the Radio Spectrum (although they are mostly used for television!), and are: Low Frequency (LF) covers frequencies…
Read MoreBLITS (Black & Lane’s Ident Tones for Surround)
Black and Lane’s Ident Tones for Surround (BLITS) developed by Sky Television Sound Supervisors Martin Black and Keith Lane in 2005/6 to provide a standardised form of channel identification and alignment for surround sound material. BLITS is a broadcast-specific line up tone system for use with 5.1 surround sound formats, and is currently being considered…
Read MoreJackfield
Most mixers, except for portable types, have an associated Jackfield, also known as a Patchbay, either integral with the mixer frame or fitted nearby in a wall-mounted rack or free-standing console. The jackfield is used to terminate incoming lines from remote studios, tape machines etc and to provide access to the mixer line inputs and…
Read MoreAlternating current (AC)
Alternating Current or AC refers to a flow of electrons that reverses in direction in a cyclical manner
Read MoreEdit Decision List (EDL)
An Edit Decision List (EDL) is simply an ordered list of items of recorded video and audio with Timecode references which enables a video editor to assemble a version of the final programme.
Read MoreDecibel (dB)
The human ear does not react to changes in sound in a simple, linear way. To double the loudness of a sound, say by turning up the volume control on an audio amplifier, most people find that they need to increase the power produced by the loudspeaker by about ten times. If we were to…
Read MoreInterference Tube
An Interference Tube is simply a long metal tube with a series of circumferential slots cut into it, fitted onto a directional Microphone. These slots produce interference patterns in sound waves from the sides, resulting in partial cancellation of off-axis sounds and a resultant apparent increase in the gain of sounds from directly in front.
Read MoreAircraft PTC
Advice/Tips on getting good sound for aircraft PTCs (Piece to Camera) The general advice here is to get your microphone as close as possible to the presenter’s mouth. A common technique is to attach your personal mic to the aviation boom but on the opposite side to the mouth as this helps shield the microphone…
Read MoreTesa tape
Tesa Tape is a generic term applied to self adhesive foam rubber tapes or sheets a few mm thick. TESA is an American adhesive tape maker, with a UK subsidiary. Tesa Tape is commonly used stuck to the heels and soles of shoes to deaden the noise of footfalls on hard or hollow floors. It…
Read MoreDirect Stream Digital (DSD)
Direct Stream Digital (DSD) uses a sampling rate of 2.8224 MHz to directly record a 1-bit signal. Used for recording SACD, launched by Sony in 1999.
Read MoreTonader Power (T power)
Tonader Power, T Power, T12 or AB Power all refer to a method of powering microphones via their cable. This system uses 180 ohm feed resistors and a 12V supply but does not send the DC power as a common mode signal like Phantom Power. The powering is unbalanced and shares the same path as…
Read MoreStick pads
Stick Pads are the soft rubber things that you fit onto the end of a walking stick to protect the end of the stick and reduce the noise of the stick hitting the ground. Sound Recordists use them on high heels or chair legs to reduce the sounds of walking or chair movements on hard…
Read MoreMicrophone Principles
Microphones work by sensing minute changes in air pressure. Pressure A pressure operated microphone is essentially a sensitive barometer and reacts only to changes in pressure irrespective of the direction of the sound source. It comprises a sealed box with air inside and a thin diaphragm that deflects for small pressure changes. Some form of…
Read MoreWord Clock
Taken from Annex B of AES11. “AES recommended practice for digital audio engineering – Synchronization of digital audio equipment in studio operations” Annex B (Informative) Word Clock It is possible to meet all the timing requirements of AES11 by means of a square wave at sampling frequency basic rate, commonly called word clock. It is…
Read MoreCreative Commons Licence
A Creative Commons Licence allows authors, artists, and educators to mark their creative work with the freedoms they want it to carry, changing the default of “All Rights Reserved” into “Some Rights Reserved”, as the creator chooses. There are three areas that the licence covers; attribution, commercial use and derivatives. These can be combined in…
Read MoreEarthing
Earthing for Audio The following is taken from an article published in the Nov/Dec 2005 issue of LineUp by Peter Thomas, Managing Director of the Professional Monitor Company, with his kind permission. At the outset, I need to make clear that there are no references to PMC loudspeakers at all (except in this introduction). Neither…
Read MoreOff Tube
“Off Tube” is when commentary for an event is provided by the commentary team just watching the televised pictures. While commentators almost always have a picture monitor (or “tube”) regardless of their location, there is great advantage to be had from also being in a position to see the proceedings with their own eyes, and…
Read MoreVolts
Volts (symbol V – not v) measure the electrical pressure, or potential difference available to force current through a circuit. The name derives from the Italian physicist Alessandro Volta (1745–1827), who invented the voltaic pile, the first chemical battery. Voltages can have a fixed polarity (Direct Current volts), or can change more or less cyclically…
Read MorePhantom Power
Phantom Power is a means of powering condenser microphones remotely, using balanced microphone cable. The AES (and IEC 61938) endorses two voltage levels, 48 V and 12 V, and they are referred to as P48 and P12
Read MoreDirect Current (DC)
Direct Current or DC refers to the unidirectional flow of electrons from high to low potential, as opposed to Alternating Current or AC where the flow regularly reverses in direction at a specific frequency. By convention this flow is considered to be from positive to relatively negative points; note that this direction is not the…
Read MoreSuper Audio CD (SACD)
Super Audio CD (SACD) launched by Sony in 1999 and intended to supersede the original Sony/Philips CD.
Read MoreTitles A-Z
- After Fader Listen (AFL)
- Aircraft Intercom
- Aircraft PTC
- Alternating current (AC)
- Amps
- Audio levels
- Audio software
- Automated Dialog Replacement (ADR)
- Background Noise
- Balanced line
- BLITS (Black & Lane’s Ident Tones for Surround)
- Boom
- Bright Eyes (Phantom checker)
- Broadcast Wave Format (wav)
- Carnet
- Collection and Delivery
- Connectors
- Creative Commons Licence
- Critical Distance
- Cross Point
- Cue
- Decibel (dB)
- Diary Services and Agents
- Digital interfaces
- Direct Current (DC)
- Direct Stream Digital (DSD)
- Earthing
- EBU
- Edit Decision List (EDL)
- Electret wiring
- Electromagnetic Spectrum
- Foldback
- Impedance
- Induction Loop
- Interference Tube
- Intermodulation
- iXML
- Jackfield
- Late Payment
- Lockit
- Metadata
- Microphone Principles
- Mix Minus
- Noisy floors
- Off Tube
- Ohms
- Optimising Windows or Mac computers for audio
- Pan Pot
- Phantom Power
- Polar Pattern
- Pre-Fade Listen (PFL)
- Pressure Zone Microphone (PZM)
- RMS
- Sabin
- Sound Levels
- Stereo
- Stick pads
- Super Audio CD (SACD)
- Talkback
- Tesa tape
- Timecode
- Tonader Power (T power)
- Underwater sound
- Volts
- Watts
- Wild Track
- Word Clock
- Working in the Cold