Knowledgebase
Pan Pot
Panpot is an abbreviation of Panoramic Potentiometer, a device used in Stereo mixers to vary the signal levels sent to the outputs from a Mono input, and thus apparently move the sound across the “sound stage” between left and right.
Read More about Pan PotPre-Fade Listen (PFL)
PFL usually stands for “Pre-Fader Listen”. PFL is a combined channel and monitoring function. On an analogue mixer with PFL, each channel has a switch which can connect the channel signal path, at a point just before the fader, to the pre-fade bus. This bus is picked up in the monitor module and made available as an…
Read More about Pre-Fade Listen (PFL)Stick pads
Stick Pads are the soft rubber things that you fit onto the end of a walking stick to protect the end of the stick and reduce the noise of the stick hitting the ground. Sound Recordists use them on high heels or chair legs to reduce the sounds of walking or chair movements on hard…
Read More about Stick padsiXML
The iXML specification is designed to provide an unambiguous communication of file and project based metadata between various stages of workflow in production, telecine, picture editorial and audio post production. iXML is primarily designed to be used as a RIFF (embedded tagged data) chunk inside a Broadcast Wave file (although it can be optionally included…
Read More about iXMLStereo
Stereo, short for Stereophonic, is a system of sound recording and reproduction which uses two synchronised channels, usually referred to as A (left) and B (right). There are several conventions for colour-coding analogue signals; the BBC adopted the nautical convention of Red for Port (Left) and Green for Starboard (Right), which can be confusing when…
Read More about StereoTalkback
Talkback originated in radio studios, where staff in the control cubicle who could hear the presenters and performers on their monitor loudspeaker were able to communicate with them using a dedicated microphone/loudspeaker system, “talking back” to the studio. This system was extended by the introduction of “reverse talkback” which provided the presenter with an additional…
Read More about TalkbackBroadcast Wave Format (wav)
Broadcast Wave Format was developed by an EBU Project Group (see The Broadcast Wave Format – an Introduction) to provide a product-independent means of exchanging programme material between workstations from different manufacturers. It is based on the Microsoft WAVE audio file format (file extension .wav), which is one of a number of file types specified…
Read More about Broadcast Wave Format (wav)RMS
An acronym for Root Mean Square, a mathematical means of calculating the average level of a varying audio signal for the purposes of metering or estimating the power of, for example, loudspeaker amplifiers.
Read More about RMSOff Tube
“Off Tube” is when commentary for an event is provided by the commentary team just watching the televised pictures. While commentators almost always have a picture monitor (or “tube”) regardless of their location, there is great advantage to be had from also being in a position to see the proceedings with their own eyes, and…
Read More about Off TubeEdit Decision List (EDL)
An Edit Decision List (EDL) is simply an ordered list of items of recorded video and audio with Timecode references which enables a video editor to assemble a version of the final programme.
Read More about Edit Decision List (EDL)Tesa tape
Tesa Tape is a generic term applied to self adhesive foam rubber tapes or sheets a few mm thick. TESA is an American adhesive tape maker, with a UK subsidiary. Tesa Tape is commonly used stuck to the heels and soles of shoes to deaden the noise of footfalls on hard or hollow floors. It…
Read More about Tesa tapeElectromagnetic Spectrum
The Electromagnetic Spectrum is the range of all possible frequencies of electromagnetic radiation. See the excellent diagram reproduced by kind permission of Louis Keiner http://www.keiner.us/. The sections of particular interest to IPS members are usually referred to as the Radio Spectrum (although they are mostly used for television!), and are: Low Frequency (LF) covers frequencies…
Read More about Electromagnetic SpectrumBLITS (Black & Lane’s Ident Tones for Surround)
Black and Lane’s Ident Tones for Surround (BLITS) developed by Sky Television Sound Supervisors Martin Black and Keith Lane in 2005/6 to provide a standardised form of channel identification and alignment for surround sound material. BLITS is a broadcast-specific line up tone system for use with 5.1 surround sound formats, and is currently being considered…
Read More about BLITS (Black & Lane’s Ident Tones for Surround)Connectors
Contents 1 Sex 2 XLR 2.1 3 pin 2.2 4 pin 2.3 5 pin 2.4 6 pin 2.5 7 pin 3 Jack 3.1 ‘A’ gauge 3.2 ‘B’ gauge 3.3 MIL-plug 3.4 Bantam 3.5 3.5mm 3.6 2.5mm 4 Hirose 4.1 4 pin 4.2 10 pin 5 Tajimi 5.1 12 pin 6 DIN 6.1 2 pin 6.2…
Read More about ConnectorsWatts
Watts are a measure of power. The symbol is W (never w). Electrically Watts = Amps x Volts. The name derives from Scottish engineer and inventor James Watt (1736 – 1819) in honour of his work that transformed the primitive steam engine into a practical power unit. Watts are obviously useful for indicating the power…
Read More about WattsPolar Pattern
The Polar Pattern of a Microphone describes its directional sensitivity. The main family of patterns is a continuous spectrum between omni and bi-directional (figure-of-eight). Thus their titles are somewhat arbitrary, often overlap and, perversely, in most cases they are best defined by their ability to reject sound. Polar Patterns are generalised – they give an…
Read More about Polar PatternTonader Power (T power)
Tonader Power, T Power, T12 or AB Power all refer to a method of powering microphones via their cable. This system uses 180 ohm feed resistors and a 12V supply but does not send the DC power as a common mode signal like Phantom Power. The powering is unbalanced and shares the same path as…
Read More about Tonader Power (T power)Volts
Volts (symbol V – not v) measure the electrical pressure, or potential difference available to force current through a circuit. The name derives from the Italian physicist Alessandro Volta (1745–1827), who invented the voltaic pile, the first chemical battery. Voltages can have a fixed polarity (Direct Current volts), or can change more or less cyclically…
Read More about VoltsBalanced line
Balanced lines are typically – and quite incorrectly – explained as follows. A signal is split into two equal but antiphase parts in a balanced line driver. These signals are connected to each leg of a pair cable and eventually arrive at a balanced receiver. This device inverts one leg of the signal. In doing…
Read More about Balanced lineWild Track
A Wild Track is an audio recording made on location with no reference to picture, intended to provide post production with useful background sound during editing. Recording wild tracks on documentary shoots it’s advisable not to switch the camera to bars, but to have the microphone in shot. With a fast turnaround in the edit,…
Read More about Wild TrackDirect Stream Digital (DSD)
Direct Stream Digital (DSD) uses a sampling rate of 2.8224 MHz to directly record a 1-bit signal. Used for recording SACD, launched by Sony in 1999.
Read More about Direct Stream Digital (DSD)Late Payment
Running a business, owed money from another business? Then you have a statutory right to interest and compensation under the Late Payment of Commercial Debts (Interest) Act 1998 (as amended). There is no obligation to charge interest or claim compensation on a late payment, you just have a legal right to do so. Be aware…
Read More about Late PaymentBackground Noise
Background Noise are sounds that are not the main sound you want to record. Sounds from traffic outside, air conditioning, lighting and so on. Ideally sources of background noise are stopped, switched off or removed but what do you do if you had no choice but record the noise? Record an atmos/room tone Wild Track…
Read More about Background NoiseUnderwater sound
A member asked on IBSNET for advice on hydrophones. Chris Woolf responded:- Hydrophones vary quite a bit in quality from high grade phantom powered devices to some pretty poor plug-in power versions. The are invariably omnis and since the propagation of sound in water is very different to air you can expect a lot of LF…
Read More about Underwater soundSound Levels
Sound Pressure Levels Our ears respond to fluctuations in the steady atmospheric pressure, so when measuring sound, that is what we usually measure. Sound pressure levels (or Sound Levels for short) are specified in Decibels, relative to a reference pressure of 20 micropascals. This reference pressure of 20 micropascals is nominally equal to the threshold…
Read More about Sound LevelsMetadata
Metadata is literally data about data. In its simplest form it could be a note attached to an item of recording medium (e.g. a tape or disc) telling the user what is on the medium, how long it is and where and when it was recorded. More practically it will be digital information embedded in…
Read More about MetadataOptimising Windows or Mac computers for audio
Problems are usually bus and/or buffer overload. As Macs and PCs now share the same Intel chipsets, hopefully the “rules” that you have to apply to optimise a PC for audio will be similar. Basically the machine needs to be focussed entirely on handling audio and minimising system interrupts on its data buses. While the…
Read More about Optimising Windows or Mac computers for audioTimecode
Timecode in audio operations refers to the SMPTE/EBU time and control code which is used for synchronising audio with video and for locating sections of programmes. Linear Time Code (LTC) is most commonly used, although Vertical Interval Timecode (VITC) may be encountered in television operations. Both versions use an 80-bit binary code to identify video…
Read More about TimecodeCue
A “Cue” may be visual or aural. In television it is usual for somebody in the studio to be given a visual cue to begin by a wave from the Floor Manager, and also sometimes to conclude by “winding up” gestures (which become more frantic as time runs out!). In radio a cue light is…
Read More about CueAudio levels
Analogue audio signal levels have historically been categorised for professional usage in two groups – microphone level (low) and line level (high). Domestic equipment generally falls into a third category, just below professional line level. Signal levels are measured using units based on the Decibel. There are many different types of Level Meter used for…
Read More about Audio levelsCreative Commons Licence
A Creative Commons Licence allows authors, artists, and educators to mark their creative work with the freedoms they want it to carry, changing the default of “All Rights Reserved” into “Some Rights Reserved”, as the creator chooses. There are three areas that the licence covers; attribution, commercial use and derivatives. These can be combined in…
Read More about Creative Commons LicenceWord Clock
Taken from Annex B of AES11. “AES recommended practice for digital audio engineering – Synchronization of digital audio equipment in studio operations” Annex B (Informative) Word Clock It is possible to meet all the timing requirements of AES11 by means of a square wave at sampling frequency basic rate, commonly called word clock. It is…
Read More about Word ClockLockit
Lockit is a device manufactured by Ambient Recording which enables video cameras to be synchronised with audio recorders.
Read More about LockitFoldback
Foldback is a feed of audio to the studio, via either loudspeaker, headphone or earpiece (IEM). It may be to provide the presenter and/or performers with a Cue feed from an external source or from a singer’s Microphone, to reinforce a singer’s voice for confidence or as an aid to tuning, or to provide actors…
Read More about FoldbackDiary Services and Agents
First of all to quash a big misnomer. A Diary Service is not there in order to ‘get you work’. That is what an Agent does. Now – to more detailed thoughts. When looking at Diary Services it might be wise to take a brief look at how they emerged and why. In the late…
Read More about Diary Services and AgentsInduction Loop
An Induction Loop or Audio Frequency Induction Loop System (AFILS) is a system commonly used by hearing aid users to clearly hear the sound in a theatre, through the bandit-proof glass screens in a bank or just a telephone call. It can also be used to provide wireless talkback or IEM to crew or presenters…
Read More about Induction LoopAlternating current (AC)
Alternating Current or AC refers to a flow of electrons that reverses in direction in a cyclical manner
Read More about Alternating current (AC)Aircraft PTC
Advice/Tips on getting good sound for aircraft PTCs (Piece to Camera) The general advice here is to get your microphone as close as possible to the presenter’s mouth. A common technique is to attach your personal mic to the aviation boom but on the opposite side to the mouth as this helps shield the microphone…
Read More about Aircraft PTCNoisy floors
Noisy Floors can be the bane of a Sound Recordists life. There are two main problems; noise from things like heels hitting a hard and hollow floor and noise from the floor itself as objects move over the surface. Heels and Legs High heels and chair legs can easily produce enough noise to drown out…
Read More about Noisy floorsImpedance
Electrical impedance is effectively resistance in an AC circuit (see Ohms). Impedances are significantly more complicated than simple resistance because they are frequency conscious and because they can apply to the behaviour of an entire circuit rather than a single element. There are load impedances, having the effect of a virtual resistor across the input…
Read More about ImpedanceAutomated Dialog Replacement (ADR)
Automated Dialog Replacement (ADR) was used by the Magnatech Corp as a marketing phrase (mid 1960s). Magnatech made the system which comprised the projector, the recorder and the control box. It enabled record drop-ins and -outs across 3 tracks (3 attempts) to be programmed to the footage counter, and the whole reel of 10 minutes…
Read More about Automated Dialog Replacement (ADR)Amps
Amps (Amperes) measure the flow of current that a potential difference forces through a circuit. The symbol is always A. The name derives from the French physicist André-Marie Ampère (1775-1836). As with Volts, current can be unidirectional – Direct Current (DC) – or alternating in direction (AC), and the values used can be peak or…
Read More about AmpsIntermodulation
Q: What is intermodulation? What causes intermods? A: Intermodulation generally only comes up in conversation when discussing interference. To understand about intermodulation products, or intermods, you need to know a little bit about transmitter and receiver design. Transmitters and receivers are designed to work at a particular frequency. High frequencies, such as those used in…
Read More about IntermodulationOhms
Ohms are a measure of the resistance to a flow of current. The name derives from the German physicist Georg Simon Ohm (1759-1854). The symbol for the ohm is the Greek capital letter omega. If the Greek letter cannot be used, the word ohm is used instead. In a simple circuit the relationship between the…
Read More about OhmsCross Point
A Cross Point is a notional intersection between an input and an output in a Matrix, which may be represented graphically by a cross-hatch of horizontal and vertical lines. Usually the horizontal lines represent the inputs and the vertical lines the outputs, and a cross overlaid at an intersection indicates a connection – a “cross…
Read More about Cross PointDecibel (dB)
The human ear does not react to changes in sound in a simple, linear way. To double the loudness of a sound, say by turning up the volume control on an audio amplifier, most people find that they need to increase the power produced by the loudspeaker by about ten times. If we were to…
Read More about Decibel (dB)Digital interfaces
This page lists the most common digital interface standards used to connect between digital mixers, recorders, editing systems and microphones etc. Contents ADAT AES/EBU SPDIF SDIF TDIF-1 Mitsubishi ProDigi MADI Yamaha ADAT ADAT is an acronym for Alesis Digital Audio Tape, a format for recording 8 tracks of digital audio onto Super VHS magnetic tape.…
Read More about Digital interfacesAudio software
This is a selection of computer software for audio applications which is either free or inexpensive. It has been compiled from various sources, and inclusion in this listing does not in any way imply any endorsement by the IPS, or any warranty that it will be satisfactory. User (and buyer) beware! Contents 1 PC Software…
Read More about Audio softwareAircraft Intercom
While it is possible to connect to Aircraft Intercom systems, the quality is at communications level rather than broadcast, though it may be adequate for short items and can give a useful “atmos”. Aside from the issues of obtaining the correct connector you MUST obtain permission from the pilot on each occasion before connecting location…
Read More about Aircraft IntercomMix Minus
Mix Minus describes the arrangements used when a broadcast studio is connected to an external site such as an Outside Broadcast as a contribution or another studio which is simultaneously broadcasting the same programme in another region, two way working. In both cases the remote source needs a feed of the programme but not of…
Read More about Mix MinusTitles A-Z
- After Fader Listen (AFL)
- Aircraft Intercom
- Aircraft PTC
- Alternating current (AC)
- Amps
- Audio levels
- Audio software
- Automated Dialog Replacement (ADR)
- Background Noise
- Balanced line
- BLITS (Black & Lane’s Ident Tones for Surround)
- Boom
- Bright Eyes (Phantom checker)
- Broadcast Wave Format (wav)
- Carnet
- Collection and Delivery
- Connectors
- Creative Commons Licence
- Critical Distance
- Cross Point
- Cue
- Decibel (dB)
- Diary Services and Agents
- Digital interfaces
- Direct Current (DC)
- Direct Stream Digital (DSD)
- Earthing
- EBU
- Edit Decision List (EDL)
- Electret wiring
- Electromagnetic Spectrum
- Foldback
- Impedance
- Induction Loop
- Interference Tube
- Intermodulation
- iXML
- Jackfield
- Late Payment
- Lockit
- Metadata
- Microphone Principles
- Mix Minus
- Noisy floors
- Off Tube
- Ohms
- Optimising Windows or Mac computers for audio
- Pan Pot
- Phantom Power
- Polar Pattern
- Pre-Fade Listen (PFL)
- Pressure Zone Microphone (PZM)
- RMS
- Sabin
- Sound Levels
- Stereo
- Stick pads
- Super Audio CD (SACD)
- Talkback
- Tesa tape
- Timecode
- Tonader Power (T power)
- Underwater sound
- Volts
- Watts
- Wild Track
- Word Clock
- Working in the Cold
