Knowledgebase
Word Clock
Taken from Annex B of AES11. “AES recommended practice for digital audio engineering – Synchronization of digital audio equipment in studio operations” Annex B (Informative) Word Clock It is possible to meet all the timing requirements of AES11 by means of a square wave at sampling frequency basic rate, commonly called word clock. It is…
Read MoreBoom
Boom is defined in the Concise Oxford English Dictionary as “a movable arm carrying a microphone or film camera” and in Collins Concise as “a pole carrying an overhead microphone and projected over a film or television set“. In sound studios a boom is either an arm fixed to a floor-mounted microphone stand or a…
Read MoreWorking in the Cold
The following hints and tips have been collated from emails on IBSNET. from Florian Camerer (ORF) I used the PD-2, which is – in my opinion – more reliably built (metal housing etc.) and consumes more power, yes, more power, and that means more heat in the machine!! I conducted tests in Vienna in a…
Read MoreBLITS (Black & Lane’s Ident Tones for Surround)
Black and Lane’s Ident Tones for Surround (BLITS) developed by Sky Television Sound Supervisors Martin Black and Keith Lane in 2005/6 to provide a standardised form of channel identification and alignment for surround sound material. BLITS is a broadcast-specific line up tone system for use with 5.1 surround sound formats, and is currently being considered…
Read MoreAfter Fader Listen (AFL)
AFL may be After-Fader Listen or After-Fader Level, depending on whether the user is more concerned with the quality and/or content of the signal or with its level. It is similar in operation to Pre-Fader Listen (PFL) except that the signal is derived after the channel fader instead of before. As AFL is also derived…
Read MoreCritical Distance
Critical Distance or Dc is the distance from a sound source where the level of direct sound equals that of any reverberant sound. Dc applies to all sound gathering but measuring it is normally only required when advance planning of microphone positions is needed. Critical Distance does not dictate where a microphone must be placed…
Read MorePolar Pattern
The Polar Pattern of a Microphone describes its directional sensitivity. The main family of patterns is a continuous spectrum between omni and bi-directional (figure-of-eight). Thus their titles are somewhat arbitrary, often overlap and, perversely, in most cases they are best defined by their ability to reject sound. Polar Patterns are generalised – they give an…
Read MoreDiary Services and Agents
First of all to quash a big misnomer. A Diary Service is not there in order to ‘get you work’. That is what an Agent does. Now – to more detailed thoughts. When looking at Diary Services it might be wise to take a brief look at how they emerged and why. In the late…
Read MoreFoldback
Foldback is a feed of audio to the studio, via either loudspeaker, headphone or earpiece (IEM). It may be to provide the presenter and/or performers with a Cue feed from an external source or from a singer’s Microphone, to reinforce a singer’s voice for confidence or as an aid to tuning, or to provide actors…
Read MoreiXML
The iXML specification is designed to provide an unambiguous communication of file and project based metadata between various stages of workflow in production, telecine, picture editorial and audio post production. iXML is primarily designed to be used as a RIFF (embedded tagged data) chunk inside a Broadcast Wave file (although it can be optionally included…
Read MoreDecibel (dB)
The human ear does not react to changes in sound in a simple, linear way. To double the loudness of a sound, say by turning up the volume control on an audio amplifier, most people find that they need to increase the power produced by the loudspeaker by about ten times. If we were to…
Read MoreDirect Stream Digital (DSD)
Direct Stream Digital (DSD) uses a sampling rate of 2.8224 MHz to directly record a 1-bit signal. Used for recording SACD, launched by Sony in 1999.
Read MoreBackground Noise
Background Noise are sounds that are not the main sound you want to record. Sounds from traffic outside, air conditioning, lighting and so on. Ideally sources of background noise are stopped, switched off or removed but what do you do if you had no choice but record the noise? Record an atmos/room tone Wild Track…
Read MoreTalkback
Talkback originated in radio studios, where staff in the control cubicle who could hear the presenters and performers on their monitor loudspeaker were able to communicate with them using a dedicated microphone/loudspeaker system, “talking back” to the studio. This system was extended by the introduction of “reverse talkback” which provided the presenter with an additional…
Read MoreWatts
Watts are a measure of power. The symbol is W (never w). Electrically Watts = Amps x Volts. The name derives from Scottish engineer and inventor James Watt (1736 – 1819) in honour of his work that transformed the primitive steam engine into a practical power unit. Watts are obviously useful for indicating the power…
Read MoreElectret wiring
Electret personal microphones are all unbalanced. They all need a screen, both for the cable and for the grille and casing around the capsule. This usually gets connected to 0V. The electronics inside the capsule will have two external connections. One connection always needs to be kept more +ve than the other but it makes…
Read MoreElectromagnetic Spectrum
The Electromagnetic Spectrum is the range of all possible frequencies of electromagnetic radiation. See the excellent diagram reproduced by kind permission of Louis Keiner http://www.keiner.us/. The sections of particular interest to IPS members are usually referred to as the Radio Spectrum (although they are mostly used for television!), and are: Low Frequency (LF) covers frequencies…
Read MoreIntermodulation
Q: What is intermodulation? What causes intermods? A: Intermodulation generally only comes up in conversation when discussing interference. To understand about intermodulation products, or intermods, you need to know a little bit about transmitter and receiver design. Transmitters and receivers are designed to work at a particular frequency. High frequencies, such as those used in…
Read MoreSabin
A Sabin is the amount of absorption equivalent to one square metre of open window (which would allow the sound to escape from the room with no reflections). Named after American acoustician Wallace Clement Sabine (June 13, 1868 – January 10, 1919). See also Sound Absorption Coefficients for Some Common Materials.
Read MoreTesa tape
Tesa Tape is a generic term applied to self adhesive foam rubber tapes or sheets a few mm thick. TESA is an American adhesive tape maker, with a UK subsidiary. Tesa Tape is commonly used stuck to the heels and soles of shoes to deaden the noise of footfalls on hard or hollow floors. It…
Read MoreMix Minus
Mix Minus describes the arrangements used when a broadcast studio is connected to an external site such as an Outside Broadcast as a contribution or another studio which is simultaneously broadcasting the same programme in another region, two way working. In both cases the remote source needs a feed of the programme but not of…
Read MoreBroadcast Wave Format (wav)
Broadcast Wave Format was developed by an EBU Project Group (see The Broadcast Wave Format – an Introduction) to provide a product-independent means of exchanging programme material between workstations from different manufacturers. It is based on the Microsoft WAVE audio file format (file extension .wav), which is one of a number of file types specified…
Read MoreAutomated Dialog Replacement (ADR)
Automated Dialog Replacement (ADR) was used by the Magnatech Corp as a marketing phrase (mid 1960s). Magnatech made the system which comprised the projector, the recorder and the control box. It enabled record drop-ins and -outs across 3 tracks (3 attempts) to be programmed to the footage counter, and the whole reel of 10 minutes…
Read MoreOff Tube
“Off Tube” is when commentary for an event is provided by the commentary team just watching the televised pictures. While commentators almost always have a picture monitor (or “tube”) regardless of their location, there is great advantage to be had from also being in a position to see the proceedings with their own eyes, and…
Read MoreAlternating current (AC)
Alternating Current or AC refers to a flow of electrons that reverses in direction in a cyclical manner
Read MoreSound Levels
Sound Pressure Levels Our ears respond to fluctuations in the steady atmospheric pressure, so when measuring sound, that is what we usually measure. Sound pressure levels (or Sound Levels for short) are specified in Decibels, relative to a reference pressure of 20 micropascals. This reference pressure of 20 micropascals is nominally equal to the threshold…
Read MoreStereo
Stereo, short for Stereophonic, is a system of sound recording and reproduction which uses two synchronised channels, usually referred to as A (left) and B (right). There are several conventions for colour-coding analogue signals; the BBC adopted the nautical convention of Red for Port (Left) and Green for Starboard (Right), which can be confusing when…
Read MoreTimecode
Timecode in audio operations refers to the SMPTE/EBU time and control code which is used for synchronising audio with video and for locating sections of programmes. Linear Time Code (LTC) is most commonly used, although Vertical Interval Timecode (VITC) may be encountered in television operations. Both versions use an 80-bit binary code to identify video…
Read MorePressure Zone Microphone (PZM)
Pressure Zone Microphone is a registered trade mark of Crown International, and describes a method of mounting a microphone close to a flat surface to minimise room acoustics. Other variants are described as Boundary Microphones. See http://www.uneeda-audio.com/pzm/
Read MoreInterference Tube
An Interference Tube is simply a long metal tube with a series of circumferential slots cut into it, fitted onto a directional Microphone. These slots produce interference patterns in sound waves from the sides, resulting in partial cancellation of off-axis sounds and a resultant apparent increase in the gain of sounds from directly in front.
Read MoreConnectors
Contents 1 Sex 2 XLR 2.1 3 pin 2.2 4 pin 2.3 5 pin 2.4 6 pin 2.5 7 pin 3 Jack 3.1 ‘A’ gauge 3.2 ‘B’ gauge 3.3 MIL-plug 3.4 Bantam 3.5 3.5mm 3.6 2.5mm 4 Hirose 4.1 4 pin 4.2 10 pin 5 Tajimi 5.1 12 pin 6 DIN 6.1 2 pin 6.2…
Read MoreAudio software
This is a selection of computer software for audio applications which is either free or inexpensive. It has been compiled from various sources, and inclusion in this listing does not in any way imply any endorsement by the IPS, or any warranty that it will be satisfactory. User (and buyer) beware! Contents 1 PC Software…
Read MoreVolts
Volts (symbol V – not v) measure the electrical pressure, or potential difference available to force current through a circuit. The name derives from the Italian physicist Alessandro Volta (1745–1827), who invented the voltaic pile, the first chemical battery. Voltages can have a fixed polarity (Direct Current volts), or can change more or less cyclically…
Read MoreSuper Audio CD (SACD)
Super Audio CD (SACD) launched by Sony in 1999 and intended to supersede the original Sony/Philips CD.
Read MoreCollection and Delivery
For large items where ordinary postal services may be too expensive, members have had success using the following providers. Most are reselling the services of other major courier/delivery firms and collect from your premises. Parcel 2 Go Appear to offer a choice of carrier at various price points depending mainly on how quickly you want…
Read MoreMicrophone Principles
Microphones work by sensing minute changes in air pressure. Pressure A pressure operated microphone is essentially a sensitive barometer and reacts only to changes in pressure irrespective of the direction of the sound source. It comprises a sealed box with air inside and a thin diaphragm that deflects for small pressure changes. Some form of…
Read MoreLate Payment
Running a business, owed money from another business? Then you have a statutory right to interest and compensation under the Late Payment of Commercial Debts (Interest) Act 1998 (as amended). There is no obligation to charge interest or claim compensation on a late payment, you just have a legal right to do so. Be aware…
Read MoreDirect Current (DC)
Direct Current or DC refers to the unidirectional flow of electrons from high to low potential, as opposed to Alternating Current or AC where the flow regularly reverses in direction at a specific frequency. By convention this flow is considered to be from positive to relatively negative points; note that this direction is not the…
Read MoreAmps
Amps (Amperes) measure the flow of current that a potential difference forces through a circuit. The symbol is always A. The name derives from the French physicist André-Marie Ampère (1775-1836). As with Volts, current can be unidirectional – Direct Current (DC) – or alternating in direction (AC), and the values used can be peak or…
Read MoreTonader Power (T power)
Tonader Power, T Power, T12 or AB Power all refer to a method of powering microphones via their cable. This system uses 180 ohm feed resistors and a 12V supply but does not send the DC power as a common mode signal like Phantom Power. The powering is unbalanced and shares the same path as…
Read MoreCreative Commons Licence
A Creative Commons Licence allows authors, artists, and educators to mark their creative work with the freedoms they want it to carry, changing the default of “All Rights Reserved” into “Some Rights Reserved”, as the creator chooses. There are three areas that the licence covers; attribution, commercial use and derivatives. These can be combined in…
Read MoreStick pads
Stick Pads are the soft rubber things that you fit onto the end of a walking stick to protect the end of the stick and reduce the noise of the stick hitting the ground. Sound Recordists use them on high heels or chair legs to reduce the sounds of walking or chair movements on hard…
Read MoreAudio levels
Analogue audio signal levels have historically been categorised for professional usage in two groups – microphone level (low) and line level (high). Domestic equipment generally falls into a third category, just below professional line level. Signal levels are measured using units based on the Decibel. There are many different types of Level Meter used for…
Read MorePre-Fade Listen (PFL)
PFL usually stands for “Pre-Fader Listen”. PFL is a combined channel and monitoring function. On an analogue mixer with PFL, each channel has a switch which can connect the channel signal path, at a point just before the fader, to the pre-fade bus. This bus is picked up in the monitor module and made available as an…
Read MoreBright Eyes (Phantom checker)
This “Bright Eyes” device was described by Hugh Robjohns in this Line Up article (June/July 2006) and uses a circuit designed by Chris Woolf. A Bright Eyes can be a very useful tool to have during rigging or fault finding to check if an XLR cable has active microphone powering. It is simple to construct…
Read MoreMetadata
Metadata is literally data about data. In its simplest form it could be a note attached to an item of recording medium (e.g. a tape or disc) telling the user what is on the medium, how long it is and where and when it was recorded. More practically it will be digital information embedded in…
Read MoreUnderwater sound
A member asked on IBSNET for advice on hydrophones. Chris Woolf responded:- Hydrophones vary quite a bit in quality from high grade phantom powered devices to some pretty poor plug-in power versions. The are invariably omnis and since the propagation of sound in water is very different to air you can expect a lot of LF…
Read MoreTitles A-Z
- After Fader Listen (AFL)
- Aircraft Intercom
- Aircraft PTC
- Alternating current (AC)
- Amps
- Audio levels
- Audio software
- Automated Dialog Replacement (ADR)
- Background Noise
- Balanced line
- BLITS (Black & Lane’s Ident Tones for Surround)
- Boom
- Bright Eyes (Phantom checker)
- Broadcast Wave Format (wav)
- Carnet
- Collection and Delivery
- Connectors
- Creative Commons Licence
- Critical Distance
- Cross Point
- Cue
- Decibel (dB)
- Diary Services and Agents
- Digital interfaces
- Direct Current (DC)
- Direct Stream Digital (DSD)
- Earthing
- EBU
- Edit Decision List (EDL)
- Electret wiring
- Electromagnetic Spectrum
- Foldback
- Impedance
- Induction Loop
- Interference Tube
- Intermodulation
- iXML
- Jackfield
- Late Payment
- Lockit
- Metadata
- Microphone Principles
- Mix Minus
- Noisy floors
- Off Tube
- Ohms
- Optimising Windows or Mac computers for audio
- Pan Pot
- Phantom Power
- Polar Pattern
- Pre-Fade Listen (PFL)
- Pressure Zone Microphone (PZM)
- RMS
- Sabin
- Sound Levels
- Stereo
- Stick pads
- Super Audio CD (SACD)
- Talkback
- Tesa tape
- Timecode
- Tonader Power (T power)
- Underwater sound
- Volts
- Watts
- Wild Track
- Word Clock
- Working in the Cold